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If there is a Cameroonian singer much loved and unanimously supported by the guards of Makossa music, it is Serge Mpollo aka Sergio Polo. Popularly referred to as Historian, Roi Polo XVIII and le President d’Deido a Paris, Sergio Polo was born on November 14, 1970 in Deido, Douala. As a rare product of Douala’s “street musical” called cabaret, he started singing in college before releasing his first album with his long-time friend Njohreur in 1996 titled le mari d’autrui – another woman’s husband.

Since then, Sergio Polo has released several successful albums with beautiful songs that have earned him domestic and international awards, support, love; and prestige.Some of these include; le mari d’autrui, carton rough, Géorgie, la chicotte de papa, cocktail, on est ensemble and amour a deux and amour a vie. Cameroon Concord’s Canada Bureau Chief Takang Gabriel reported that while on an international tour in Toronto, Montreal and Vancouver, Sergio Polo was invited On September 6, 2014 at the Toronto Plaza Hotel to animate during the launching of African Vision Arts Canada (AVAC). Founded by Prosper Agbor Ndakaw (the Managing Director of Double Diamond Health Care Services, Toronto) and friends, AVAC is a Non-profit-making organization that aims at promoting the African cultural heritage in Canada through award ceremonies, fashion shows, pageants and festivals.

  The African community in Canada has embrace AVAC with the hands of a first-time baby mum. However, the organizers are yet to effectively articulate the necessity and impact of such a brilliant initiative on the host community. Although AVAC organizers have promised to touch the hearts of Africa organizations, it is in history that Cameroonian organizations in the diaspora are characterized by in-fighting, greed, mismanagement of funds and lack of public accountability.

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Ngwa Bertrand

14.Sep.2014

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If there is a Cameroonian singer much loved and unanimously supported by the guards of Makossa music, it is Serge Mpollo aka Sergio Polo. Popularly referred to as Historian, Roi Polo XVIII and le President d’Deido a Paris, Sergio Polo was born on November 14, 1970 in Deido, Douala. As a rare product of Douala’s “street musical” called cabaret, he started singing in college before releasing his first album with his long-time friend Njohreur in 1996 titled le mari d’autrui – another woman’s husband.

Since then, Sergio Polo has released several successful albums with beautiful songs that have earned him domestic and international awards, support, love; and prestige.Some of these include; le mari d’autrui, carton rough, Géorgie, la chicotte de papa, cocktail, on est ensemble and amour a deux and amour a vie. Cameroon Concord’s Canada Bureau Chief Takang Gabriel reported that while on an international tour in Toronto, Montreal and Vancouver, Sergio Polo was invited On September 6, 2014 at the Toronto Plaza Hotel to animate during the launching of African Vision Arts Canada (AVAC). Founded by Prosper Agbor Ndakaw (the Managing Director of Double Diamond Health Care Services, Toronto) and friends, AVAC is a Non-profit-making organization that aims at promoting the African cultural heritage in Canada through award ceremonies, fashion shows, pageants and festivals.

  The African community in Canada has embrace AVAC with the hands of a first-time baby mum. However, the organizers are yet to effectively articulate the necessity and impact of such a brilliant initiative on the host community. Although AVAC organizers have promised to touch the hearts of Africa organizations, it is in history that Cameroonian organizations in the diaspora are characterized by in-fighting, greed, mismanagement of funds and lack of public accountability.

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Ngwa Bertrand

14.Sep.2014

Hits: 3424

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Kibonen is from Cameroon where “there are no fashion schools. No one would think of doing this for a career. They choose lawyer or doctor because they don’t see this as an option.” She likens fashion to soccer. Now that people back home see the potential for a career and success, parents are paying for their kids to learn to play. She wants to do the same for fashion in her home country.

She says the fashion magazines there don’t have the talent needed to feature within their pages and must look overseas.

She has just returned from Washington where she spoke before heads of state about her work, her path, the challenges and the need for fashion education in her home country. These talks are child’s play for her; I heard one she gave in school just last month. She is one of our students selected to show at Mercedez Benz New York Fashion Week. Only half of her garments are ready but she is confident she will complete them in time. She has already experienced Mercedes Benz Africa, is currently working on a book which she hopes to release soon, and is interning for a top New York fashion designer. She happily tells me that the process inside the studio is “exactly like how Miss Mallon tells us it is in the classroom”.

In Cameroon, Kibonen worked in a bank. Her boss often told her she belonged in another world, not the bank, and this irritated her. He’s just leading up to firing me, she concluded. She left and followed her fiancé to Missouri and when that didn’t work out, she travelled on to Atlanta, Maryland, Houston and other cities.

“None of them could contain me,” she says.

NYC proved different. She took a job at the cosmetics counter in Bloomingdales, later Saks. There, customers kept asking her who designed  her dresses. Can I buy them upstairs on the dress floor? they inquired.

“In New York City, you can absorb yourself in the city and leave behind everything in your past, or you can pull from your past and bring it to the city.” Kibonen chooses the latter. She is determined to expose African prints in unconventional ways, even when others warn her against it.

She is too Westernized now for people back home. They consider her work “diluted”.

What is watered down and lacking for them, is enriched for us. Her inspiring mission wafts from the seams yet the bloggers back home won’t touch her. But she has appeared on the BBC and international fashion magazines have been in touch. She can provide what they want back home, but, like Atlanta or Houston or Missouri, that life wouldn’t “contain” her.

She wants to bring to Cameroon what they don’t yet know they need.

The colors are uncompromisingly bright, the patterns psychedelic, the silhouettes American sportswear.”I am learning so much and it’s so exciting,” she says.

I get excited too from speaking to her. I remember these kinds of feelings. Things are about to happen. Oh, yes, I remember it well.

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Ngwa Bertrand

23.Aug.2014

Hits: 5120

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Kibonen is from Cameroon where “there are no fashion schools. No one would think of doing this for a career. They choose lawyer or doctor because they don’t see this as an option.” She likens fashion to soccer. Now that people back home see the potential for a career and success, parents are paying for their kids to learn to play. She wants to do the same for fashion in her home country.

She says the fashion magazines there don’t have the talent needed to feature within their pages and must look overseas.

She has just returned from Washington where she spoke before heads of state about her work, her path, the challenges and the need for fashion education in her home country. These talks are child’s play for her; I heard one she gave in school just last month. She is one of our students selected to show at Mercedez Benz New York Fashion Week. Only half of her garments are ready but she is confident she will complete them in time. She has already experienced Mercedes Benz Africa, is currently working on a book which she hopes to release soon, and is interning for a top New York fashion designer. She happily tells me that the process inside the studio is “exactly like how Miss Mallon tells us it is in the classroom”.

In Cameroon, Kibonen worked in a bank. Her boss often told her she belonged in another world, not the bank, and this irritated her. He’s just leading up to firing me, she concluded. She left and followed her fiancé to Missouri and when that didn’t work out, she travelled on to Atlanta, Maryland, Houston and other cities.

“None of them could contain me,” she says.

NYC proved different. She took a job at the cosmetics counter in Bloomingdales, later Saks. There, customers kept asking her who designed  her dresses. Can I buy them upstairs on the dress floor? they inquired.

“In New York City, you can absorb yourself in the city and leave behind everything in your past, or you can pull from your past and bring it to the city.” Kibonen chooses the latter. She is determined to expose African prints in unconventional ways, even when others warn her against it.

She is too Westernized now for people back home. They consider her work “diluted”.

What is watered down and lacking for them, is enriched for us. Her inspiring mission wafts from the seams yet the bloggers back home won’t touch her. But she has appeared on the BBC and international fashion magazines have been in touch. She can provide what they want back home, but, like Atlanta or Houston or Missouri, that life wouldn’t “contain” her.

She wants to bring to Cameroon what they don’t yet know they need.

The colors are uncompromisingly bright, the patterns psychedelic, the silhouettes American sportswear.”I am learning so much and it’s so exciting,” she says.

I get excited too from speaking to her. I remember these kinds of feelings. Things are about to happen. Oh, yes, I remember it well.

Details

Ngwa Bertrand

23.Aug.2014

Hits: 4111

Write comment (0 Comments)